Italian-American Culture and the Catholic Church in the Godfather
Words: 763 Pages: 3 2896Introduction Since the early 1930s, Italian-American characters have been central to Hollywood's portrayal of crime, becoming iconic figures in the gangster film genre. This essay explores the intertwining of Italian culture and the Catholic Church within these films, focusing particularly on how Francis Ford Coppola's The Godfather (1972) reinforces and expands these motifs. By examining the use of religious imagery and Italian cultural elements, this analysis aims to elucidate how these films have shaped public perceptions of Italian-American identity. Moreover, […]