Frankenstein may be familiar to people as the name of a monster; however, it is not the name of the monster that most are thinking of. In actuality, Victor Frankenstein is the creator of this infamous creature and his creation is nameless. Despite being called negative terms such as, “devil”, “creature”, “wretch”, and “thing”, the […]
Mary Shelley lived and wrote her novel Frankenstein during the peak of the romantic era of literature in the early 1800’s. She shows this as her work reflects many of the key elements that are associated with romanticism. In Frankenstein, Shelley also utilizes many of the elements of gothic literature. Shelley uses many of the […]
Victor Frankenstein best exhibits the five characteristics of a tragic hero; Peripeteia, hamartia, hubris, anagnorisis, and fate. Victor possesses flaws that go down the pathway of downfall. It is Victor’s ambition that steers him to experiment science. The desire of knowledge without acknowledging morals is lethal. His desire leads him to create the monster that […]
In Foster’s Chapter, Every Trip Is A Quest , he implies that every journey is a quest and every quest has to have a quester, a place to go, a stated reason to go there, challenges and trials along the way, and a real reason to go. When a character goes on a quest, he […]
The character’s identity and outward appearance interferes with the norms of the hierarchical societies in which they live. Thus, preventing them from experiencing life outside of the isolated confinement they are subjected to. While experiencing a constant conflict with acceptance it strikes the curiosity inside them. In Mary Shelley’s Frankenstein, the experience of loneliness and […]
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Place orderFor centuries, society has placed stereotypes on those individuals who are different. Mary Shelley’s novel Frankenstein is an example of one specific stereotype, which is the discrimination of a person because of a physical deformity. Frankenstein shows how social prejudices against physical deformities can automatically classify a person as bad or monstrous. In gothic novels, […]
In Mary Shelley’s novel Frankenstein, the philosophies of dualism and materialism can be found through the story’s main characters, Victor Frankenstein and the Creature. Throughout the novel, the decisions that both make and their justifications for those decisions are rooted in both dualistic and materialistic ideas. In the scene leading up to the creation to […]
Isolation is a dangerous act. Whether it is forced by the ones around us or a choice made by us to be alone isolation separates the victim from society damaging them emotionally. In Mary Shelley’s Frankenstein, the monster, Frankenstein’s monster, comes to know the true act of isolation. The monster was not only cast out […]
Mary Shelley displays a form of horror and suspense with a dash of Romanticism in her novel, Frankenstein. It contains a gloomy and dark setting to also create a better understanding and familiarity between the main character known as Victor Frankenstein and the creature. Victor’s creation sets off a vibe that shows how the flow […]
Grief affects people in many ways after someone had passed away. When a loved one passes away, people tend to feel that they have lost someone precious. They often wonder why they were taken away from us so young. However, at the same time, we can be grateful for the very fact that they were […]
As humans we are naturally inclined to socialize with each other. There are times when we don’t want to be surrounded by others and just by ourselves, but prolonging that isolation can be detrimental to one’s psyche. Isolation can lead to stress levels rising, poor sleep, immune system dysfunction, and even cognitive depreciation (Psychology Today). […]
“Cue the creepy music, the church organ included, and the dark gothic castle, add some cobwebs, low lights, make everything look centuries old, and have some bats fly around in a frantic state. Such a distinct horror setting for a more even distinct vampiric character that we know and love. Cue the lightning, add a […]
From the dawn of the cinematic age, both horror and science fiction films have been shown throughout every cinema available. More common, however, were films based upon previously written works such as books or plays as they were easy to adapt from one medium to another. In 1910, Edison studios released what would inevitably lead […]
In Frankenstein, Shelley addresses her concerns regarding human advancement by using a framed narrative that includes parallels, foils, and allusions in order to express that many people are unaware of the consequences of their actions because their hubris and ambition blinds them. This tends to disrupt the balance of society. Shelley’s framed structure leads us […]
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