Les Misérables in Concert: a New Interpretation

Introduction

Victor Hugo’s monumental novel "Les Misérables" is a sweeping social and philosophical epic that delves into the lives of numerous interconnected characters. At its heart is Jean Valjean, a former convict who spends his life trying to escape the shadow of his past. This narrative has been adapted into numerous forms, with the musical version by Claude-Michel Schönberg and Alain Boublil achieving international acclaim. This essay examines Philippe Barreau's 2017 concert adaptation, "Les Misérables in Concert," performed in Paris and the provinces.

It offers a fresh perspective on the musical, highlighting its unique staging and orchestral arrangements, while also analyzing its effectiveness in conveying Hugo's timeless themes.

Reimagining a Classic

Barreau's adaptation distinguishes itself from traditional stage productions through its innovative use of a symphonic orchestra and a minimalist approach to set design, relying heavily on lighting effects to create atmosphere. This choice underscores the emotional depth of Hugo’s narrative while allowing the music to take center stage. The Victor Hugo Symphony Orchestra, under the direction of Alexandra Cravero, provides a lush, evocative soundscape that complements the lyrical performances of the thirty singers. This blend of music and storytelling offers a unique interpretation of Hugo's complex characters and themes.

Character and Performance

The character of Jean Valjean, portrayed by John Owen Jones, captures the essence of Hugo's hero—a man of great strength and sensitivity. Jones’ powerful vocal performance conveys Valjean’s inner turmoil and redemption, particularly during the climactic ascent to the afterlife. Equally compelling is Ashley Artus as Thénardier, whose comedic antics provide a counterpoint to the narrative's darker moments. Artus's portrayal echoes the physical comedy of Chaplin and the Marx Brothers, offering moments of levity amidst the drama. However, the absence of choreography and traditional theatrical elements may leave some fans of the musical wanting more in terms of visual spectacle.

The Role of Supporting Characters

The character of Cosette, played by June Van der Esch, embodies purity and fragility, yet she is not merely a passive figure. Her portrayal highlights her fear and resilience, shaped by a traumatic childhood. The Thénardiers, by contrast, are depicted as deeply flawed and neglectful, particularly in their treatment of their daughter, Éponine. These character dynamics are integral to the narrative, illustrating the various facets of human nature that Hugo so masterfully explores.

Musical Interpretation

The concert's musical interpretation stays true to the original compositions, yet it introduces subtle variations that enhance the emotional impact of each scene. The use of period costumes adds a visual dimension that enriches the storytelling, while the orchestra's performance evokes the Romantic era's grandeur. Songs like “J’avais rêvé” stand out for their haunting melodies and poignant lyrics, capturing the essence of Fantine’s despair. The orchestration in this concert version allows each instrument to shine, creating a harmonious blend that supports the singers' emotive delivery.

Conclusion

"Les Misérables in Concert" offers a fresh take on Hugo's epic tale, emphasizing the power of music and minimalistic staging to convey deep emotions and timeless themes. While the lack of traditional choreography might disappoint some, the concert’s strength lies in its vocal performances and orchestral arrangements, which together create a compelling and immersive experience. By focusing on the emotional core of Hugo’s narrative and the rich musical tapestry that underpins it, Barreau's adaptation succeeds in bringing a new dimension to this classic story. Through this concert, audiences are reminded of the enduring relevance of "Les Misérables" and its exploration of redemption, love, and social justice.

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