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Old Greek engineers tackle rigor and excellence of craftsmanship which are the trademark of Greek art universally. The methods they fabricated during the early sixth century B.C. still influence modern architecture. According to Sayre, H. M., (2013) there are two main principal orders in Classical and Archaic Greek architecture. They are commonly called Doric and the Ionic. In the Doric order, columns are fluted without any form of base. While with the Ionic order, bases support the columns, which have more vertical flutes than those of the Doric order.
Marble column from the Temple of Artemis at Sardis were invented in ancient Greece and were used in places of worship and other memorable public architecture such as the Parthenon in Athens. The bottom portion of the column is noticeably wider than the top. This method of construction is arguably a way to create an illusion to the eyes. The Greeks desired their structures to appear perfectly straight and orderly.
How it works
This type of column like the Marble column from the Temple of Artemis at Sardis with scrolls (also referred to as volutes) at the top, is known as an Ionic column. Doric columns are the simplest and were invented first. However, the Corinthian columns are the most elaborate, with decoration of leaves at the top and were invented last. All of theses column are ancient Greek architectural invention and are still used today. We can see the beauty of ancient Greek architectural invention in place like White House, the United States Supreme Court and The Metropolitan Museum of Art. If we stopped and notice our everyday surrounding, perhaps we would note the numerous different columns in so many buildings such as libraries.
The Marble column from the Temple of Artemis at Sardis is said to have been part of the structural support for the Temple of Artemis at Sardis, which was geographically located in Sardis, the capital of Lydia, now modern day Turkey. Archeologist that the Marble column from the Temple of Artemis at Sardis may have been built around 300 BCE by the Greeks. This magnificent marble fluted Ionic column stands over fifty-eight feet high.
The piece of fluted Ionic column sitting midpoint in a room at the Metropolitan Museum of Art. It hike over fifty-eight feet high in its initial venue at the Temple of Artemis. The exquisite foliate carving on the capital is unique compared to extant capitals from the temple and the foliated base with its vegetal scale-like design is also gracefully elaborate. This capital is marginally smaller than others found at the location, suggesting that it does not reside in the exterior colonnade.
Hemingway (2003) states that the column was handcraft by local craftsmen from their native marble, most likely found in the foothills of Mt. Tmolus. They formed the stones in a tight fashion with metal clamps embedded inside the stone for reinforcement against natural disaster like earthquakes. This column is believed to be part the temple built in honor of and to also worship the Greek goddess Artemis. The goddess Artemis is said to be the goddess of chastity, virginity, the hunt, the moon and the natural environment.
However, according to (Fikret K. Yeg??l and Nancy H. Ramage., 2010) the Marble column from the Temple of Artemis at Sardis was part of the fourth largest Greek Ionic place of worship in the world, even though it was never completed. This temple among the many others was devoted to different gods and goddesses of that era. The column was discovered during excavations that were held in Sardis from 1911 to 1914. Later, the Marble column from the Temple of Artemis at Sardis entered the Metropolitan Museum of Art as a gift of The American Society for the Excavation of Sardis in 1926.
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