Mannequin: a Lighthearted Look at Time, Love, and Window Dressing

Film, as an art form, has the unique capacity to explore myriad themes and concepts. Sometimes, it challenges societal norms or uncovers deeply buried human emotions. At other times, it simply entertains. The 1987 romantic comedy “Mannequin” firmly positions itself in the latter category, offering viewers a fun, magical tale steeped in 1980s culture. While it might not be lauded for its profound cinematic achievements, the movie provides an interesting lens through which one can examine love, time, and even retail therapy.

Set in Philadelphia, “Mannequin” centers around a struggling artist, Jonathan Switcher, who crafts a beautiful mannequin. This is not just any mannequin, though. To his astonishment, she comes to life but only for him. As it turns out, she is Emmy, an Egyptian woman cursed to traverse time until she finds true love. The narrative unfolds within the confines of a large department store, where Jonathan finds employment and Emmy resides as a “lifeless” display figure.

One of the striking elements of “Mannequin” is its whimsical handling of the concept of time. Emmy’s existence spans centuries, but her perspective is consistently contemporary. It’s a refreshing deviation from the usual portrayal of time-travelers or beings from different eras, who often grapple with “culture shock.” Emmy seems to embody the idea that love is timeless; while everything around her changes, her pursuit of genuine connection remains unwavering. This invites the audience to ponder the universality of human emotions and the lengths one might go to find a soulmate.

Beyond the heartwarming romance, the film also provides commentary, albeit subtly, on the commercialized world of the 1980s. The mall culture was in its prime, and department stores were bustling hubs of activity. In the midst of this consumeristic backdrop, the mannequin — an object meant to display merchandise — becomes the centerpiece of a romantic narrative. It’s a playful nod to the omnipresence of retail in society at the time. Additionally, the rivalry between the film’s central store and its competitor draws attention to the fierce competition of the retail world, where window displays could make or break a business.

Yet, beneath its light exterior, “Mannequin” offers moments of introspection. Jonathan’s interactions with Emmy, primarily in her mannequin form, spotlight the loneliness and alienation one can feel in a bustling urban setting. Their secret world within the store after hours is a metaphorical haven, a place untouched by the outside world’s pressures and judgments. Their relationship, albeit unconventional, signifies the lengths to which people will go to find connection and understanding in an often isolating world.

In revisiting “Mannequin,” contemporary viewers might find elements that feel dated, from its fashion and soundtrack to certain comedic tropes. However, its central themes resonate even today. The film underscores the importance of genuine connection in a world increasingly dominated by surface-level interactions. In Emmy, the audience finds a character who, despite being made of plastic for most of the film, embodies more humanity and authenticity than many real people. Jonathan’s dedication to her, in turn, showcases the timeless pursuit of love and understanding.

In conclusion, “Mannequin,” while a product of its time, offers more than just 80s nostalgia. It serves as a whimsical reminder of the enduring quest for love, the challenges of navigating a commercialized world, and the potential for magic in everyday life. While it may not be a cinematic masterpiece, its charm and heart make it worth a watch, prompting viewers to see the extraordinary in the ordinary and to cherish genuine connections amidst a sea of fleeting interactions.

Did you like this example?

230

12