Political Allegories in Angels: a Closer Look at Society

In the realm of literature, political allegories serve as powerful tools for authors to dissect and critique societal structures. One such masterpiece that delves into the intricate tapestry of politics and human nature is Tony Kushner’s magnum opus, “Angels in America.” Set against the backdrop of the AIDS epidemic in the 1980s, this two-part play not only explores the personal struggles of its characters but also serves as a poignant allegory for the broader societal and political landscape.

At its core, “Angels in America” grapples with the complexities of power, morality, and identity within the American society of the time.

Through the lens of its diverse characters, Kushner weaves a narrative that unearths the underlying tensions and conflicts that defined the era. One of the central allegorical elements in the play is the depiction of the Reagan era and the conservative political climate that dominated the United States during the 1980s.

The character of Roy Cohn, a real-life figure and a prominent lawyer, serves as a striking embodiment of the corrosive nature of power and the moral compromises made in the pursuit of political influence. Cohn’s unapologetic pursuit of power, regardless of the consequences, mirrors the ruthless political maneuvering of the time. His character becomes a symbol of the amorality that can pervade political circles, emphasizing the cost of unchecked ambition on both a personal and societal level.

The AIDS epidemic, a central focus of the play, serves as a potent allegory for the societal response to the crisis. At a time when the epidemic was met with fear, ignorance, and discrimination, Kushner uses the characters infected with the virus to underscore the broader issues of marginalization and social injustice. The struggle for acceptance and compassion becomes a mirror reflecting the societal rifts that plagued America during this period.

Kushner’s political allegory also extends to the supernatural elements of the play, particularly the appearance of angels. The celestial beings embody the collective conscience and the moral imperative that individuals and society must confront. The struggle between the angels and the characters represents the larger ideological battle between progress and stagnation, enlightenment and ignorance, compassion and indifference.

Furthermore, the character of Joe Pitt, a young Mormon grappling with his sexual identity, serves as a microcosm of the societal conflict over issues such as homosexuality and religious conservatism. Joe’s internal struggle becomes a reflection of the external battles fought on the political and cultural fronts, illustrating the tension between personal authenticity and societal expectations.

“Angels in America” also explores the theme of abandonment and the quest for self-discovery. The character of Prior Walter, diagnosed with AIDS and abandoned by his lover, becomes a symbol of resilience and the indomitable human spirit. Through Prior’s journey, Kushner invites the audience to contemplate the broader implications of societal neglect and the necessity of finding strength in the face of adversity.

In conclusion, “Angels in America” stands as a rich tapestry of political allegories that unravel the intricacies of American society during a tumultuous period. Through its diverse characters and intricate narrative, the play offers a profound exploration of power, morality, and identity. Kushner’s masterful use of allegory transcends the specific historical context of the AIDS epidemic, providing a timeless commentary on the enduring struggles within the human experience. As we navigate our own societal challenges, the lessons embedded in “Angels in America” continue to resonate, urging us to reflect on the consequences of our collective actions and the imperative of compassion in the face of adversity.

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