Psychological Symbolism in Tanizakis the Tattooer

Introduction

In the vast realm of literature, characterization and conflict emerge as pivotal elements that drive narratives and engage readers. Characterization breathes life into fictional personas, allowing audiences to connect with and understand them, while conflict introduces tension, a struggle between opposing forces that propels the story forward. This essay delves into these essential components within Tanizaki Jun’ichiro’s short story, "The Tattooer." Through the lens of this narrative, we explore how internal and external conflicts interplay with the characterization of the protagonist, Seikichi, offering a profound insight into human nature and societal expectations.

Characterization and Conflict in "The Tattooer"

In "The Tattooer," Tanizaki presents Seikichi, a young and talented tattoo artist whose reputation is built on the allure of his art and the boldness with which he executes it. Seikichi’s characterization is deeply intertwined with conflict, both internal and external. He derives a perverse pleasure from inflicting pain on his male clients, a pleasure he conceals as a "secret desire." This aspect of his character introduces a complex internal conflict, as he grapples with the morality of his actions and the sadistic delight he feels. The narrative illustrates this through his enjoyment of painful techniques like "vermilioning and shading," which heightens the agony of his clients.

Seikichi's internal struggle is further emphasized when his long-standing desire to tattoo a young, beautiful woman materializes. This opportunity not only challenges his artistic prowess but also his emotional and ethical boundaries. Unlike with his male clients, Seikichi experiences a profound shift in sentiment while tattooing the woman. The process becomes an emotional ordeal for him, as if "it was his own heart that he was stabbing." This personal turmoil reflects a deeper person-to-self conflict, highlighting Seikichi’s internal battle between his artistic ambition and his moral compass.

Internal and External Conflicts

The internal conflict experienced by Seikichi is mirrored by Tanizaki’s own struggles, which can be interpreted as a reflection of the author’s exploration of sensuality and traditional values. Raised amidst a blend of Western influences and old Edo traditions, Tanizaki developed a complex view of women as nurturing figures or sensual beings. This duality poses a conflict for Seikichi, who is unable to reconcile his attraction to female beauty with his artistic inclinations. This is emblematic of a larger, person-to-nature conflict, where societal norms dictate a man’s strength and resistance to temptation, yet Seikichi finds himself ensnared by the allure of the female form.

Moreover, Seikichi’s eventual act of inscribing a spider—a symbol of evil—on the woman’s skin transforms her beauty into a commanding, almost supernatural force. This external conflict between Seikichi and the societal expectations of masculinity culminates in his submission to the woman’s newfound power. The spider tattoo becomes a metaphor for the entrapment of desire and the surrender to the seductive power of femininity, themes that are prevalent in Tanizaki’s works.

Conclusion

In conclusion, "The Tattooer" by Tanizaki Jun’ichiro serves as a rich exploration of characterization and conflict. The story intricately weaves internal and external struggles, revealing the complexities of human emotions and societal pressures. Seikichi’s journey from a sadistic artist to a conflicted individual captivated by beauty underscores the intricate interplay between character development and narrative tension. Tanizaki's portrayal of these conflicts not only enhances the depth of his characters but also offers a critique of societal norms and the enduring power of temptation. Through the lens of Seikichi’s experiences, the story invites readers to reflect on their own internal conflicts and the societal forces that shape their identities.

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